The Diamond Island

You see them at the portals of shopping establishments. Mechanisms containing candy or cheap prizes which dispense them for the price of inserting small change.

Children are especially susceptible to these small change bandits, with their cranking knobs and randomly released surprises.  The displays promise cool little toys or a delicious flavor experience if only you will take the plunge!

Usually what you get is predetermined—only different kinds of rubber balls or a figure from a collection—or the prize is lame.  You wanted the cheap metal skull ring and got a plastic pink smiley face instead.  The gum is good for about five seconds and then turns to sticky, tasteless wall sealant.  Sometimes, the machine doesn’t give you anything at all.

What a rip off!

Teaches a valuable lesson, however, doesn’t it? Beware of getting ripped off! All is not as it seems.

Yet we return again and again, hoping this time will be different.  Sometimes you get a halfway decent prize or experience, and then your parents are tired of waiting for you or don’t have any more change.

Oh yeah, this was like a religious observance for me. And there are many permutations of the gumball machine experience let me tell you!

One time at a Hardee’s hamburger joint, I discovered the back door so to speak.  The gumball machine only worked with tokens that you had to obtain by ordering something.

This particular gumball machine was enclosed in a kind of decoration, with the front flush to an opening where you accessed the machine.  I found that my arm was thin and wiry enough to reach up and down between the gap.

This enabled me to grab handfuls of prizes at a time!  I managed to fill my pockets before an employee noticed the crowd of kids watching me in awe and chased me out. Those prizes were some of the best I ever got too.

Then there are times when you come across a machine and everything you get is cool.  Neat stuff on a roll, and you run out of change.  When you come back the next day, however, the machine is gone!  Rip off!  But you still got some good loot, so it’s not a total rip off.

One time in Japan, in a remote mountain village I came across a gumball machine with small metal medieval weapons. Alas, I only had enough change to get three of these super cool items! Then I had to go and I couldn’t come back, due to my traveling schedule.  That’s how it goes!

In a sense, the gumball machine is a manifestation of the monstrance, that container that holds the sacred host.  It’s not unlike a dragon guarding treasure, or a form of the ordeal you face when you go on an adventure.

You pay your fare and take your chances. What is released is what you need—a tiny companion, a tool of play, a moment of sweetness—these are no small thing when one adventures in the depths of the soul! The worthless, useless thing turns out to be the most important of all.

These mechanisms may have been invented to separate children from their parent’s money in exchange for some “magic beans”, but even the charlatan may find themselves peddling rather more serious wares when destiny takes an intervening hand.

Everywhere you go, machines of meditation, teaching lessons as surely as any Kung Fu master to those who will listen. The time may come when we see how advanced these pieces of technology really are.

As a kid I did a lot of drawing. One of the things I enjoyed drawing were labyrinths with goodies at the center.  Over time these doodles evolved and began to acquire various characteristics.

At first, there was usually some treasure at the center.  Later on I began to tape paper doors over these pups so you couldn’t see what the treasure was until you got there—surprise!

Then a figure of adventure began to take shape.  Usually the figure was a girl, sometimes holding a torch.  On rare occasions it was a boy, and a few times it was a group of greedy hunters with hats—spittle spraying from their leering smiles.

The labyrinth became a maze, with dead ends and rooms with dangerous experiences.  Monsters, traps, accidents, or words saying “You didn’t find it sukkr!” or “Nope!”  These too were covered up with doors so you couldn’t know what was under them until it was too late: “Bomb, you ded!”

A map of the psyche perhaps, both for consideration of how people approach me, and how I approach myself.  We can get lost in the vastness of our own being, sometimes a map helps.

Can we find the gold in ourselves?  How much of a maze and/or labyrinth do we build around ourselves when dealing with others?  Do we let them have our gold, or do we direct them to the spear trap?

So I drew up another such map in the old style.  Without the paper doors, but I could code a table with rollover images now to adapt for the Internet.  Certainly not a difficult journey, although the hazards are still there. The path still connects the inside and outside—some people close off their paths completely, mind you.

Has the time come to perhaps re-examine my map and draw something more complex? Taking a bit of inspiration from my seriously inventive and clever insightful Hexe, I believe I shall attempt it!

I was reading a blog post today (which vanished and then came back), where the blogger did a shout-out to their call to adventure.

Basically going over what they had done in the past.  A recitation of their years of struggling with ordinary life, leading up to the moment in which they realized they needed to return to their quest.

We meditate like this, going over our treaded paths again and again until we see.

What stood out to me in their shout-out was the the early part.  About going out into the world on their adventure ready to die for the cause of goodness.  I thought rather than die for it, maybe the real adventure is to live for the cause of goodness.

The thing about goodness is that it can’t exist except in the face of evilness.  What does one do when one finds out they are the enemy?

Yet, evil spelled backwards is live.  Recognize the shadow at our feet.  As surely as the moment when Luke Skywalker standing triumphant over his father takes a moment to stare hard at his mechanical hand, we all have to eat a bit of dirt before we die.

Adults telling us how great we will be—putting their fears and hopes into us with their grandiose, inflated expectations might be one of those most horrific things they do to children.  It sets us up for disappointment and distracts us from our real nature.

What if we aren’t so great?  What if we are far from destined for glory?  Is it so bad to sweep floors and be content?

The temptation to imagine grand fantasies of our self-importance is one of the most devious tricks the One Ring plays on Samwise, filling his head with leading an army to defeat the Dark Lord and save the day.  Wisely, he turns away from this projected image and remembers that he’s just an average Joe.

Taking the One Ring to throw down the Dark Lord (and take his place!) or carrying on with the worst burden imaginable—which is the most glorious and noble act (if there is such a thing)?

“There’s a way to live with earth and a way not to live with earth.”

Holding on to one’s dreams and confronting the expectations society places on us are both common themes for women adventurers.  The system wears a black cape and works long hours draining the lifeblood out of dreams, distracting people with duty and responsibility.

Ultimately, the hero/heroine must surrender and die to themselves if they are to avoid being the tyrant of tomorrow.  This is the part of the journey known as the sparagmos—the tearing asunder, the sacrifice of the hero in the fire, the destruction and plunge into the abyss.

Evil. A failure. A nobody. Empty dreams and a lifetime of carrying buckets.

“I will fight no more forever.”

The labyrinth is filled with the bones of those who cried out in despair until they expired, lost in the woods to be picked apart by wargs…or worse.

People forget that what they imagine is real. The Black Hats are packing real guns and really do shoot women and children in the back.  Both in real life and in fantasy.

Hey! What are you doing listening to that voice telling you to get up? Stay down and scrub that floor, drone!

The Prophet Gibran speaks of evil being good tortured by hunger and thirst, drinking of dark waters by necessity.  That to stumble is only to walk without balance and may lead to a surer step.  Even a lost person may find their way, just as truly as a wicked person may step out of the mist and find themselves in sun.

Failure is discovery, and in our screw ups are found salvation! Even a nobody is somebody, for nothing is something.  Dreams can strike without warning and waken you to the secret Kung Fu concealed by a lifetime meditation of waxing on and off cleaning the floors.

It’s stupid and foolish, and pointless, but we crawl on.  We live, transformed and transfigured by dying in our minds.

Humbled, head bowed on hands and knees, we see the glint in the dirt.

The camel throws off its burdens and becomes a lion.  To the sounds of tumultuous thunder, you stand up.

“The wolves are running.”

Can you feel all the heroines who passed on to become queens through the ages standing beside you, dazed as you are?

The lengthy and lonely moments of longing and hoping, of wondering are a feature not a bug—or if they are a bug then they are the secret and hidden Goldbug!  Now you can see what is before your eyes and truly behold the treasure you were seeking.

Time to get to do the thing, lioness.  You have one more change to undergo and recognize before you complete the journey.

Now begins a different set of challenges. Only this time you can see in the night, having accepted the darkness inside your own self.

Recently on this posting space, the non-post has become a feature. I missed the entire month of June and let my creative energy lie fallow.

Truth be told, I’ve been hiding—cringing—cowering in plain sight with eyes closed. Trying to grasp what will be.

Facing myself and seeing this obstacle I have been blocked by transform into an offering. So now I must build the psychic conveyance I am to build.

The previous blueprint in my journal eighteen years ago was a test run on the prototype. Now’s the real unreal thing.

The trickster in me has tricked myself into knowing the way to build, and I’m now here in this valley of the skeleton trees with a slumbering sphinx. Special delivery from the other realm of imagination.

Okay, hold on to your self, because here we go. The ride starts here in a visible way. Hear it?

I helped the bees.

The killer bees who came to rock me been wintering over and building strength.  As the spring rains of radioactive doom spill out over the land, they been buzzing slowly into hot activity, like a magma swarm of super-charged sparks under intense pressure.

All they needed was a shelter from the mindlessness of humans caught in their repeating basic mantra of bad brains programming. The killer bees grow stronger in my mind; can’t help but feel a little like a king bee, if only in a small way.

I helped more bees.

Since I decided on becoming a beekeeper, I figured I ought to start at Level 0 somewhere.  K ordered this hang-able bunch of cut bamboo wrapped and stapled together, and I put it outside for mason bees to find a home.

Those bees are rover bees, wanderers and nomads without a hive. Heh, pretty cool. They’re all over the place, but you never notice them because they come in so many shapes and sizes not always resembling the humble honey bee.

K had her doubts, but I stubbornly insisted on getting started. Next thing I know, bees! Gathering their pollen for their little larvae and mud to seal up the little nursery capsules.

She was so excited by my success that she gathered up some bamboo and created a makeshift home bunch herself.  Next, she took a block of wood and drilled holes in it.  All these things were hung in a place so as to avoid the rain and get regular sunshine (warmth and dryness being key).

Okay, so it’s like six or seven sealed nurseries now. Very small results, but still so exciting!

Started looking up YouTube videos of beekeepers, and K tuned me into the top bar method of raising hives. This looks awesome. In particular, the video of the dude installing a queen without gear and only a pipe for smoke while his kids watch strikes me as incredibly brass.

It’s a preview to get me excited about one day being capable enough to help the bees. Yes, the honey is a benefit—I am thinking of myself at least a little. The satisfaction of exploration and experience, however, is what draws me. I must know more about bees!

And I will. Muah-ha-haaa!

I have yet to speak of one of my most profound interests: Warhammer Fantasy Roleplay (WFRP for short). You might say it’s been a non-subject for conversation, an irrational sense that drained me of the interest of mentioning it here. No longer, for tonight the taboo is lifted!

For my birthday, I decided to purchase for myself a used copy of the core rules for the first edition of WFRP. The hardbound version, before they came out with the paperback version with the handful of edits and corrections.

The copy I received was in terrible condition: spine shot, taped together, with edges worn gray. The character sheet page was missing, and somebody’s name and phone number were penciled in on the inside of the front cover.

However, the rest of the pages were in good condition—of a stiffer paper than the paperback copy I have, and smelling of that old sensation I remember when poring over the copy I once possessed. To hold in my hands this version was to take me back to a moment in my life where I once was fully immersed in the explorations my passion for this game would take me.

I was also reminded of the terrible time I was forced to sell my hardbound copy to Powell’s bookstore to have enough food to eat that day. To relinquish this tome and many others for a handful of dollars so I wouldn’t starve. In the years to come this would be the selling of my heart that would trouble me the most: The book that began my most important journey.

I had no way of knowing an internet would appear that would allow me to gain a copy for printout through the download network if I wished. That a seller’s market would manifest in which one might see and resume contact with all the lost pleasantries of a thousand young dreams, and if necessary, claim a physical object to meditate upon.

Here it is then, in my hands once again, healing a self-inflicted wound. Who is to say this is not the very same volume I once owned? For you see, it was sent to me from a bookstore in Oregon, the state of mind where I left behind a piece of myself. There are times when even selling pieces of yourself is not enough to keep eating. You must flee into the forest and go mad to find nourishment.

I open the page containing the “Wizard’s Apprentice” beginning career, with it’s typos in magic points and incorrect advance scheme. The errors confused me back when I first read them; when they were corrected in the paperback version I was relieved.

Now I find myself looking at the 204 magic points (instead of the correct 2d4 or 2-8) and the +1 Wounds/+10 Dexterity advance scheme (missing the additional +10 Intelligence and +10 Willpower) with a new set of eyes. The typos are meaningful to me; they speak to my innermost being of what I didn’t understand.

Subsisting only on my resistance to damage and the work of my hands, but born with an accident of energy.

This time, I hold the rules tome in my hands and I get the message.

The recent nuclear catastrophe unfolding in Japan right now brings me back to the time of the Japanese ghosts crying out to me. This comes at a moment when I am releasing myself of grieving for another dear friend.

I recently watched an old sixties movie called Crack In The World, a film I’d seen as a very young child and then later as a college punk. A dying scientist tries to tap the molten interior of earth to create a source of energy and minerals for industrial purposes, under the guise of “helping humanity”. Instead, he initiates a rapidly spreading crack in the crust of the earth that threatens to split the planet in two.

It strikes me as prophetic how movies such as this one, or Godzilla, warned us decades ago of the dangers of striving for Atlantean power beyond our wisdom as a species to use. Do the scientists who are possessed by satanic rationalism, or the government figures that puppet dance the industrial aristocracy’s interests ever get the message?

Long presaged in our dreams and made manifest in a work of cinema to show us the intention of the unconscious in response to the mindless savagery of our owners. A behemoth from the depths or perhaps the earth-shaking birth of a second moon grant us a glimpse of the suffering yet to rise from the depths of our own ignorance.

It’s all a moot point now. The industrial age is coming to an end and there’s not enough uranium or money to keep the madness going any longer. As the whole farce decays into rust, the big question is how many more accidents, how much more contamination before the nuclear energy dead-end goes the way of the Betamax?

The movies were right. Add a dose of humor, the enthusiasm of a child, or heroic sacrifice on the side of life and we might survive ourselves long enough for the super-predator to let us live to die another day. Maybe the point of it all was not to succeed, but to get to the next rest stop by doing whatever it took to keep on holding on.

Disasters force us to look at ourselves honestly, require that we confront the shadows we have pretended live in others. As I burn a stick of incense and say a prayer of grace for my departed friend Yoshie Izumi, I also look my own gruesome shadow in the eye with compassion.

Thank the living spirit for my stupidity! There may yet be hope.

Last year I learned terrible news. If I had learned of Molly’s passing earlier, it might have destroyed me.  Instead, I took responsibility and danced. For a whole year I have held a candle and sung a song of hope and peace.

Now I square the circle and complete the grieving.  The time has come to let go and forget, so that the universe may continue to spin a spiral of love.

Keeping and releasing. This is how we find an experience of being alive.

I think now of how we go through our lives and miss so much, waste so many chances to make a connection, and this is okay.  The universe is generous and this is harsh on us.  We who are limited by our smallness.

It’s funny, but there’s a part of me the universe revealed that belongs to myself and only I. This secret can never be replaced or duplicated to my knowledge. That mystery knows Molly now and will remember if the other parts of me forget.

Caring transforms our darkness into the light of sorrow and suffering so that we might know ourselves and the human depths and heights of our unknown nature.

I imagine ecstasy, seeing my friend and almost lover in the ways she might have been and may yet be beyond the realm of our Mesozoic understanding. She is released from the obligation to carry the torch of life through the darkness of precipitous living.

I rejoice, knowing I have made meaningful some small part of her brief course in the span of time and space. That is, after all, what our calling often is as human beings.

She is free to travel, and I am released to continue on my small and winding night of the body for as long as is needed by my barely glimpsed destiny.

I love you Molly Kleinman.

I find myself staring at three stickers of Michael Jackson, next to which are two pennies found in the street of some forgotten time and place.  Two bits for the eyes of a corpse, three prizes reinforcing the message of This Is It.

I am transmutating again.

The bees sing to me in harmony with the skeleton trees in the valley. The world is rumbling and washing our small lives to pieces, exposing the lies and falsehoods by which dysfunctional wretches have guided our lives in place of us taking our power for ourselves.

The nasty tenacity of a badger is what is required to heal ourselves.

Though I am reminded of don’t know mind, still others clutch at me hoping the crutch of my caring will carry them along to the next rest stop. It’s too late for any of that; people are responsible for their own lives too, and I am mindful now of the need sometimes to step back and let people have an experience of their own dark helplessness.

The light can exist only in the face of the shadow.

Hoping we will overcome our fiends and foibles is madness as surely as the never ending expectation of accomplishing all the goals we set for ourselves: Always have the dishes washed, call all our friends regularly to let them know we still breathe, regularly take those steps to improve our desired skillset so we don’t feel we are wasting our lives.

Nonsense.  Hiding ourselves from the truth of our vast self because it hurts.

In this place there is the conclusion of running, endgame.  I’m done, assent recognized and heard.  All that remains is to turn around and face that which has most frightened me. No longer will I cast this task upon my mirage, or the now-escaped lost boy who I believe will find himself, or dark forces I imagine acted without my need or assurance.

Confront the specter of my own willful standing in the way.

I was willing to pass away rather than fail again so severely, but I lived on and reached this place of understanding. I knew I would rise up and look myself in the eyes, assent to return as surely as I gave in to departure.  Take off the mask of failure and behold the truth behind my collapse into nothingness.

The dark specter welcomes me; the happy are awakened and revealed.

The only one stopping me is me. Now I see what I must do and need to experience in the deepest parts of my being.  I want to be in that place. I want to understand. With that commitment illusions fall away from my eyes and I see surely that which is needed most for me to know nothingness with juh-joy.

Supermoon rising to midnight, deep self delving the farthest reaches to uncover gold.

The ebon shark and the xanthous bee are together.

There is perilous, sweet honey.

I’m moonwalking.

I’ve gone on about the Count before, and it’s no secret that I admire what that undead dude does for the sake of civilization. This time, I’m going to go way out there and let people know what I’m all about.

There’s this DVD that came out, known by the illustrious title of Every Other Day Is Halloween. Basically, the changeable and fantastically talented core of which Count Gore is but one manifestation—near as I can tell an ordinary human being known as Dick Dyszel—is admitting the passage of time in order to let his story be told.

The movie on this disc tells the story of how Mr. Dyszel found himself a central figure in a local broadcast station, playing several inspired characters, before the forces of mediacrity moved in and demanded tribute in the form of the bottom line.

Along the way, you see how Mr. Dyszel inspired people with his individual and honest outlook, as personified by the characters he played and the shows he hosted—Bozo the Clown, Captain 20, and Count Gore De Vol.

Certainly, there are other folks behind the scenes who contributed to this outburst of creative depiction on local programming. And the spirit of the seventies no doubt played a part in what locals in the Washington DC area remember fondly as “better times”.

Peak times to be sure, and total respect to the unsung efforts of those who get things done, but it always starts with an individual carrying a vision, or a talent, or a way of existing in space-time that shows us what we have lost.  How to adjust our course and return to ourselves.  The true genius constellates those talents and circumstances necessary for raising our consciousness.

So what experience do you get when you buy into this examination of an inspired man’s exploration of himself for the betterment of the community?  Quite a lot, actually.  Though, with any localized phenomenon, there are going to be experiences that only those who lived through it will get.

However!  Keep in mind that the treasures waiting to be discovered are in and of themselves examples of the finest art and of inestimable value to those who seek insight.  Surprises and secrets await those who quest with an open heart, who can hear what has gone before and dare to recreate what may yet be again.

The cover itself is an enigma easily dismissed as an attempt to downplay the contents—Count Gore presenting a can of steaming offal and garbage, while caricatures of other horror hosts float around the vapors with comical expressions. Horror hosts have often hidden behind a veil of humor in order to make their performance less threatening and more acceptable to societal antibodies.  This is activism at the base—always speak in the terms familiar with the audience you find yourself before on any given show.

Look more closely though, past the sadness that is self-depreciation and see the truth behind the images. One has only to know that in many fairy tales it is the worthless thing—the junk—that one finds the most important things of all.

If the hosts are masked in humor, one has only to know that we the audience are always the biggest joke of all.  In that realization there is humanity and redemption—the host always throws us the viewer back upon ourselves to realize the awesome horror and painful glory of being alive.

Opening the case, one cracks open a casket of horrors, yet also proclaims that they live! Passing beyond the threshold, one finds a Channel 20 Club card amongst the expected insert and disc. Yes, there is something of the child in all of us who desire to belong to wonders great and beautiful.  In the local DC area programming of Channel 20, such cards were a visible sign of divine power and a reassurance that magic was abundant.

That the coprorate centers of power regularly co-op such toys of civilized play to encourage “loyalty” to mechanized food outlets is proof of their inherent inventiveness.  Artists, entertainers, and magicians all know the way to reclaim such treats, for is not the card part of the trickery that conceals the true magic in the mind? Beyond a doubt, Captain 20 knew the card trick to remind us how such small things matter.

The disc itself contains the movie, and a veritable infectious fungal colony of extras.  Most of these will be of easiest value to those who remember. Yet pay attention and you will see how improvisational television programs work. How character and setting contribute to situation even in a fluid dynamic such as a studio for viewers.

Variety acts thrive on this sort of transformation—commercials, contests and cartoon blocks are mere forms to be molded and rearranged at will.  Green muppet mutants, friendly adults dispensing worthy advice from the heart, or showing manga style programs way before the mainstream caught on—these are the stuff of which legends are made manifest.  Do we not save the world as audience when we remember ourselves, or as performer when we remind others with our smoke and mirrors of the human spirit?

The movie itself contains a story of an intrepid entertainer’s journey from rough ore to final realization.  What strikes me most is how grounded and ordinary Mr. Dyszel appears. One can almost see the grandiose and unstoppable force of his shadow as personified by Count Gore De Vol lurking in the background.

Is that not the supreme mystery and absurd irony of our times?  That only in the nicest and most unassuming of men could a creative force arise to spark the flames of a thousand and one hearts?

When one is confronted with the simplicity and utter banality of a sock puppet wearing a chef’s hat speaking kitchen wisdom to us with the utmost sincerity, do we not believe?  It speaks volumes for the depths of our own souls, whether we respond with kindness and smiles or turn away in revulsion.

Pity those who see only the surface and not the invention of a lone soul progressing his art beyond a mere tool.  They are the unfortunates consigned to make programming decisions from a vast distance.

Another key point worth noting is how the story progresses into the horror host phenomenon.  This is where Mr. Dyszel fumble-foots into a trove of glittering gemstones and becomes part of a signifier for a deeply relevant art form’s transmutation.

Exiled from mainstream television, only to return and finally be banished again, Mr. Dyszel would seem too nice to survive such a crushing blow as the loss of all he held dear—the beloved figurehead of a local television station yanked from the stage, how contemptable!   Nevertheless, Mr. Dyszel continued his exploration and found in himself the ability to manifest studio in a backpack.

As a result, Count Gore spread his creative power into the Internet, and now no longer needs the station to transmit.  Vanquish the shadow, and he returns again in a new form requiring that we reckon with him once more.  We cannot escape ourselves!

The Internet allows everyone and anyone to be both host and audience, without the coercion and repression one finds in the structure of an impersonal system of power.  Such an environment is a natural breeding ground and salon for a revivification of what can only be termed a capsule of catharsis through the ceremonial experience of violation.

Mr. Dyszel’s successful exploration of the ideas within his passionate being speaks for itself.  To invent his own show regardless of the trauma and set himself firmly at the next foundation of where all culture will be transmitted in the future?

It is nothing less than stunning.

The movie ends with the closing of a former door and the opening of a new portal to worlds undreamed of.  It’s a whole new shared creative space.  One might say the monster not only survived, but lived to help spread the horror of a profound mystery to those who will come after us.

The horror host movement seems poised at the edge of a vast unmarked frontier.  What the practitioner-audience hybrid will make of it is hard to say—anything goes now.  There’s enough history now to form an idea of how things work out of countless trailblazed innovations.  The reactions of those who are themselves following personal visions as hosts are worth studying.

For example, I see in the easygoing testimony of Jerry Moore—who manifests as the outrageous Karlos Borloff—an affection for what Mr. Dyszel has accomplished.  He gained strength from the things he learned by experiencing himself at play with Count Gore on the tell-a-vision.

It’s enough to make me believe that the medium of late night horror shows not only has returned in a renewed form, but in a sense is better than ever before.  One has only to see the de-atomization of the community and the rapid sharing of ideas to see a strange solidarity emerging.

An ancient form of performance taking shape before our very eyes. Watch the movie and learn how profound changes in the world transform the way we experience ourselves as people. That we should owe our very life and soul to a vampire as channeled by a wandering artist of great destiny is truly a miracle of the age.

The key question is: “Did he meant to do that?”  Was it part of the act, this death-defying leap into the future? Before you can stop thinking again, the Count is before you, telling a horrible joke to bring it all back around again.